zenpencils:

BILL WATTERSON ‘A cartoonist’s advice’
zenpencils:

BILL WATTERSON ‘A cartoonist’s advice’
zenpencils:

BILL WATTERSON ‘A cartoonist’s advice’
zenpencils:

BILL WATTERSON ‘A cartoonist’s advice’
zenpencils:

BILL WATTERSON ‘A cartoonist’s advice’
zenpencils:

BILL WATTERSON ‘A cartoonist’s advice’

zenpencils:

BILL WATTERSON ‘A cartoonist’s advice’

(via campz)

asylum-art:

Phil Hale illustrations
on Facebook
Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.
Hale‘s caught-in-the-moment subjects in contexts that can be described as a bit dark reminded me of the time I fell in love with J.D. Salinger’s Catcher in the Rye. In my fantasy world, Hale and Salinger would be exchanging ideas for a collaborative project to illustrate Catcher over a casual dinner (Salinger making sure the plot in the book is followed), where I would join them for the meal as a mutual acquaintance they don’t mind having around, share a few laughs with the fellows, and silently admire them both while watching them talk. 
asylum-art:

Phil Hale illustrations
on Facebook
Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.
Hale‘s caught-in-the-moment subjects in contexts that can be described as a bit dark reminded me of the time I fell in love with J.D. Salinger’s Catcher in the Rye. In my fantasy world, Hale and Salinger would be exchanging ideas for a collaborative project to illustrate Catcher over a casual dinner (Salinger making sure the plot in the book is followed), where I would join them for the meal as a mutual acquaintance they don’t mind having around, share a few laughs with the fellows, and silently admire them both while watching them talk. 
asylum-art:

Phil Hale illustrations
on Facebook
Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.
Hale‘s caught-in-the-moment subjects in contexts that can be described as a bit dark reminded me of the time I fell in love with J.D. Salinger’s Catcher in the Rye. In my fantasy world, Hale and Salinger would be exchanging ideas for a collaborative project to illustrate Catcher over a casual dinner (Salinger making sure the plot in the book is followed), where I would join them for the meal as a mutual acquaintance they don’t mind having around, share a few laughs with the fellows, and silently admire them both while watching them talk. 
asylum-art:

Phil Hale illustrations
on Facebook
Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.
Hale‘s caught-in-the-moment subjects in contexts that can be described as a bit dark reminded me of the time I fell in love with J.D. Salinger’s Catcher in the Rye. In my fantasy world, Hale and Salinger would be exchanging ideas for a collaborative project to illustrate Catcher over a casual dinner (Salinger making sure the plot in the book is followed), where I would join them for the meal as a mutual acquaintance they don’t mind having around, share a few laughs with the fellows, and silently admire them both while watching them talk. 
asylum-art:

Phil Hale illustrations
on Facebook
Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.
Hale‘s caught-in-the-moment subjects in contexts that can be described as a bit dark reminded me of the time I fell in love with J.D. Salinger’s Catcher in the Rye. In my fantasy world, Hale and Salinger would be exchanging ideas for a collaborative project to illustrate Catcher over a casual dinner (Salinger making sure the plot in the book is followed), where I would join them for the meal as a mutual acquaintance they don’t mind having around, share a few laughs with the fellows, and silently admire them both while watching them talk. 
asylum-art:

Phil Hale illustrations
on Facebook
Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.
Hale‘s caught-in-the-moment subjects in contexts that can be described as a bit dark reminded me of the time I fell in love with J.D. Salinger’s Catcher in the Rye. In my fantasy world, Hale and Salinger would be exchanging ideas for a collaborative project to illustrate Catcher over a casual dinner (Salinger making sure the plot in the book is followed), where I would join them for the meal as a mutual acquaintance they don’t mind having around, share a few laughs with the fellows, and silently admire them both while watching them talk. 
asylum-art:

Phil Hale illustrations
on Facebook
Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.
Hale‘s caught-in-the-moment subjects in contexts that can be described as a bit dark reminded me of the time I fell in love with J.D. Salinger’s Catcher in the Rye. In my fantasy world, Hale and Salinger would be exchanging ideas for a collaborative project to illustrate Catcher over a casual dinner (Salinger making sure the plot in the book is followed), where I would join them for the meal as a mutual acquaintance they don’t mind having around, share a few laughs with the fellows, and silently admire them both while watching them talk. 
asylum-art:

Phil Hale illustrations
on Facebook
Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.
Hale‘s caught-in-the-moment subjects in contexts that can be described as a bit dark reminded me of the time I fell in love with J.D. Salinger’s Catcher in the Rye. In my fantasy world, Hale and Salinger would be exchanging ideas for a collaborative project to illustrate Catcher over a casual dinner (Salinger making sure the plot in the book is followed), where I would join them for the meal as a mutual acquaintance they don’t mind having around, share a few laughs with the fellows, and silently admire them both while watching them talk. 
asylum-art:

Phil Hale illustrations
on Facebook
Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.
Hale‘s caught-in-the-moment subjects in contexts that can be described as a bit dark reminded me of the time I fell in love with J.D. Salinger’s Catcher in the Rye. In my fantasy world, Hale and Salinger would be exchanging ideas for a collaborative project to illustrate Catcher over a casual dinner (Salinger making sure the plot in the book is followed), where I would join them for the meal as a mutual acquaintance they don’t mind having around, share a few laughs with the fellows, and silently admire them both while watching them talk. 
asylum-art:

Phil Hale illustrations
on Facebook
Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.
Hale‘s caught-in-the-moment subjects in contexts that can be described as a bit dark reminded me of the time I fell in love with J.D. Salinger’s Catcher in the Rye. In my fantasy world, Hale and Salinger would be exchanging ideas for a collaborative project to illustrate Catcher over a casual dinner (Salinger making sure the plot in the book is followed), where I would join them for the meal as a mutual acquaintance they don’t mind having around, share a few laughs with the fellows, and silently admire them both while watching them talk. 

asylum-art:

Phil Hale illustrations

on Facebook

Phil Hale, a London based illustrator, knows what to do. His illustrations are incredibly rich with disjointed movement, explosive energy, and raw masculinity that which all combines into an overwhelming visit to drama itself.
Hale‘s caught-in-the-moment subjects in contexts that can be described as a bit dark reminded me of the time I fell in love with J.D. Salinger’s Catcher in the Rye. In my fantasy world, Hale and Salinger would be exchanging ideas for a collaborative project to illustrate Catcher over a casual dinner (Salinger making sure the plot in the book is followed), where I would join them for the meal as a mutual acquaintance they don’t mind having around, share a few laughs with the fellows, and silently admire them both while watching them talk. 


(via the-pineal-gland)

aliceredalice:

Jean Deville (1867 - 1953) aliceredalice:

Jean Deville (1867 - 1953) aliceredalice:

Jean Deville (1867 - 1953) aliceredalice:

Jean Deville (1867 - 1953)

Field Day: Ascent & Descent
by Kevin Dowd

Field Day: Ascent & Descent
by Kevin Dowd

Field Day: Ascent & Descent

by Kevin Dowd

(via talltells)

hifructosemag:

Ying Yefu creates humorously macabre paintings using traditional Chinese techniques. See more on Hi-Fructose.  hifructosemag:

Ying Yefu creates humorously macabre paintings using traditional Chinese techniques. See more on Hi-Fructose.  hifructosemag:

Ying Yefu creates humorously macabre paintings using traditional Chinese techniques. See more on Hi-Fructose. 

hifructosemag:

Ying Yefu creates humorously macabre paintings using traditional Chinese techniques. See more on Hi-Fructose

gakkinx:

New collaboration backpiece work
"Gakkin x Kenji Alucky"
on Machiko from “HADAKAEFUDA”裸絵札




gakkinx:

New collaboration backpiece work
"Gakkin x Kenji Alucky"
on Machiko from “HADAKAEFUDA”裸絵札




gakkinx:

New collaboration backpiece work
"Gakkin x Kenji Alucky"
on Machiko from “HADAKAEFUDA”裸絵札

gakkinx:

New collaboration backpiece work

"Gakkin x Kenji Alucky"

on Machiko from “HADAKAEFUDA”裸絵札

(via sacredgeometrytattoos)

cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.

cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.

(via hifructosemag)

tastelikethesky:

Kate Baylay
tastelikethesky:

Kate Baylay
tastelikethesky:

Kate Baylay
tastelikethesky:

Kate Baylay
tastelikethesky:

Kate Baylay
tastelikethesky:

Kate Baylay
tastelikethesky:

Kate Baylay
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique