cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.
cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.

cross-connect:

Maciek Jasik is a photographer living in Brooklyn, NY. He uses color and movement as methods of creating surreal parallel worlds and instilling emotionality.

(via hifructosemag)

generic-art:

Lost Highway (1997) dir. David Lynch generic-art:

Lost Highway (1997) dir. David Lynch generic-art:

Lost Highway (1997) dir. David Lynch

generic-art:

Lost Highway (1997) dir. David Lynch

(via hifructosemag)

tastelikethesky:

Kate Baylay
tastelikethesky:

Kate Baylay
tastelikethesky:

Kate Baylay
tastelikethesky:

Kate Baylay
tastelikethesky:

Kate Baylay
tastelikethesky:

Kate Baylay
tastelikethesky:

Kate Baylay
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
jayciiellur:


A - Z of Unusual Words

This is beautiful. It brings tears to my eyes.
likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique likeafieldmouse:

Garmonique
Jack Kirby not only embraced the weird, he also drew it weirdly. Jack Kirby not only embraced the weird, he also drew it weirdly. Jack Kirby not only embraced the weird, he also drew it weirdly. Jack Kirby not only embraced the weird, he also drew it weirdly. Jack Kirby not only embraced the weird, he also drew it weirdly. Jack Kirby not only embraced the weird, he also drew it weirdly.

Jack Kirby not only embraced the weird, he also drew it weirdly.

diomedeia:

elissa likes art - no.22


alphonse mucha (1860-1939)




Even the commercial shit he hated is impressive. diomedeia:

elissa likes art - no.22


alphonse mucha (1860-1939)




Even the commercial shit he hated is impressive. diomedeia:

elissa likes art - no.22


alphonse mucha (1860-1939)




Even the commercial shit he hated is impressive. diomedeia:

elissa likes art - no.22


alphonse mucha (1860-1939)




Even the commercial shit he hated is impressive.

diomedeia:

elissa likes art - no.22

alphonse mucha (1860-1939)

Even the commercial shit he hated is impressive.

(via subtle-pretext-chiming-in)

I was probably six or seven the first time I laid hands on this book. Each image a lightning bolt to my imagination. Sure wish I still had the original. I was probably six or seven the first time I laid hands on this book. Each image a lightning bolt to my imagination. Sure wish I still had the original. I was probably six or seven the first time I laid hands on this book. Each image a lightning bolt to my imagination. Sure wish I still had the original. I was probably six or seven the first time I laid hands on this book. Each image a lightning bolt to my imagination. Sure wish I still had the original. I was probably six or seven the first time I laid hands on this book. Each image a lightning bolt to my imagination. Sure wish I still had the original. I was probably six or seven the first time I laid hands on this book. Each image a lightning bolt to my imagination. Sure wish I still had the original. I was probably six or seven the first time I laid hands on this book. Each image a lightning bolt to my imagination. Sure wish I still had the original.

I was probably six or seven the first time I laid hands on this book. Each image a lightning bolt to my imagination. Sure wish I still had the original.

tenebrum:

New post on the blog ! Amazing woodcuts by Emmanuel Poirier, 1933 : http://aucarrefouretrange.blogspot.fr/2014/06/emmanuel-poirier.html
Ver tradução

(via tormented-spirituality)

paperandwires:

Still more full-page illustrations for The Arabian Nights, Tales of Wonder and Magnificence. Edited by Padriac Colum, Illustrated by  Eric Pape. Last set tomorrow!
paperandwires:

Still more full-page illustrations for The Arabian Nights, Tales of Wonder and Magnificence. Edited by Padriac Colum, Illustrated by  Eric Pape. Last set tomorrow!
paperandwires:

Still more full-page illustrations for The Arabian Nights, Tales of Wonder and Magnificence. Edited by Padriac Colum, Illustrated by  Eric Pape. Last set tomorrow!
paperandwires:

Still more full-page illustrations for The Arabian Nights, Tales of Wonder and Magnificence. Edited by Padriac Colum, Illustrated by  Eric Pape. Last set tomorrow!
paperandwires:

Still more full-page illustrations for The Arabian Nights, Tales of Wonder and Magnificence. Edited by Padriac Colum, Illustrated by  Eric Pape. Last set tomorrow!
paperandwires:

Still more full-page illustrations for The Arabian Nights, Tales of Wonder and Magnificence. Edited by Padriac Colum, Illustrated by  Eric Pape. Last set tomorrow!
paperandwires:

Still more full-page illustrations for The Arabian Nights, Tales of Wonder and Magnificence. Edited by Padriac Colum, Illustrated by  Eric Pape. Last set tomorrow!
paperandwires:

Still more full-page illustrations for The Arabian Nights, Tales of Wonder and Magnificence. Edited by Padriac Colum, Illustrated by  Eric Pape. Last set tomorrow!
paperandwires:

Still more full-page illustrations for The Arabian Nights, Tales of Wonder and Magnificence. Edited by Padriac Colum, Illustrated by  Eric Pape. Last set tomorrow!

paperandwires:

Still more full-page illustrations for The Arabian Nights, Tales of Wonder and Magnificence. Edited by Padriac Colum, Illustrated by  Eric Pape. Last set tomorrow!

(via forgetfuldepths)